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VELAZQUEZ, Diego Rodriguez de Silva y Princess mk237
1652-1653
Oil on canvas
127x98.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Queen mk237
1652-1653
Oil on canvas
234x131.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Princess mk237
1653
Oil on canvas
128.5x100cm
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VELAZQUEZ, Diego Rodriguez de Silva y Princess mk237
1654
Oil on canvas
70x58cm
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VELAZQUEZ, Diego Rodriguez de Silva y Weaver mk237
1653
oil on canvas
220x289cm
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Weaver mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Queen mk237
1655-1656
Oil on canvas
46.5x43cm
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VELAZQUEZ, Diego Rodriguez de Silva y Queen mk237
1656
Oil on canvas
64.7x54.6cm
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VELAZQUEZ, Diego Rodriguez de Silva y Princess mk237
1656
Oil on canvas
105x88cm
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VELAZQUEZ, Diego Rodriguez de Silva y Moqilk and Aergesi mk237
1659
Oil on canvas
128x250cm
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VELAZQUEZ, Diego Rodriguez de Silva y Palace handmaiden mk237
1656
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Palace handmaiden mk237
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y Filipu mk237
1652-1655
Oil on canvas
69x56cm
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VELAZQUEZ, Diego Rodriguez de Silva y Filipu mk237
1652-1654
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y Princess mk237
1659
Oil on canvas
129x107cm
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Princess mk237
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VELAZQUEZ, Diego Rodriguez de Silva y
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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